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by Michael Niederman


T
here are no spoons. This is the culinary piece of information that I learned from watching The Matrix: Revolutions, the third, and thankfully, final installation in the Matrix Trilogy. There are also no forks, knives, plates, or any other assorted cutlery. Also in absentia were coherent narrative, compelling characters, and Keanu Reeves’ eyes. Those get burnt out somewhere in the middle of the movie, and I honestly couldn’t tell the difference. If the eyes are the window to the soul, then Keanu’s were boarded up years ago just like the crack house across the street from my apartment. Watching this actor try to approximate the normal range of human emotions was like watching George Dubya Bush pronounce strategize. It just can’t be done.

It’s not all Keanu’s fault. I can’t blame Keanu for the brimming bowl of crap chowder that the Matrix movies have turned into. Blaming Keanu for the train-wreck that this trilogy has become would be like blaming Mrs. O’Leary’s cow for starting the Chicago fire. Sure, Keanu might have knocked over the lantern that burnt Chi-Town to the ground, but at the end of the day he’s just a cow. And I just can’t bring myself to be angry at a cow. No matter how nice his hair is.

No, the responsibility lies at the pretentious feet of Andy and Larry Wachowski, the writers and directors of The Matrix Trilogy. Larry and Andy: I blame you for making me sit through your two-and-a-half hours of utter garbage disguised as philosophically deep. I blame you for writing that God-awful dialogue. I blame you for eschewing the clean lines of the first Matrix movie for the muddled mess that third one is. Just because you can fill the screen with a thousand computer-generated electric squid doesn’t mean you should. I blame you for taking formerly one-dimensional characters and making them even shallower. J’Accuse!

An open letter to all film school geeks: just because you read philosophy does not mean that you understand it. And under no conditions are you allowed to make your characters dress up in leather and latex and paraphrase The Bible, Nietzsche, the Tao Te Ching, and One To Grow On. The Matrix: Revolutions is chock full of pieces of dialogue that bong-smoking 19-year-olds would find deep until the next morning when they wake up from their cannabis-induced slumber and re-read their dream-journal.

“Love is a human emotion.”

“No, it’s a word.”

There were so many things wrong with this movie. Even with lowered expectations, I was severely disappointed. The press materials promised me a 20-minute sequence depicting Zion’s last stand, as the human heroes battle a never-ending army of sentinels. Okay, that sounds kind of neat. In reality, though, the big action set piece is murky and cluttered, as if the Wachowski brothers tried to distract the audience from the lack of plot by putting a whole lot of shit into the frame. But that’s not even my big problem with this sequence.
For 20 minutes, not a single star is on screen. Keanu Reeves. Carrie-Anne Moss. Lawrence Fishburne. They all must have been in their trailers reading Daily Variety that day. Remember The Kid, that guy who followed Keanu around in the second movie? No. Neither did I. But he’s the most important character who appears in this sequence. Neo and Trinity were probably off shagging each other blind, and by that point Morpheus had been reduced to sitting in the co-pilot chair next to Jada Pinkett-Smith and yelling out such gems as “Look out!” and “Over there!” In other words, Morpheus could have been played by Chewbacca, and no one would have known the difference.

Speaking of stunt casting, it’s probably not news to anyone reading this review that Gloria Foster, the actress who played The Oracle in the first two Matrix films, passed away during the shooting of the final two installments and the filmmakers had to replace her with another actress. So why did the Wachowski brothers choose to replace her with another elderly African-American actress? Did they assume that the audience just wouldn’t notice? That we wouldn’t be able to tell the two of them apart? That’s kind of offensive. Personally, I would have loved to have seen one of the Queer Eye guys in that role.

“Neo, I know you’re the One but that black-on-black look is so 1999. Just because you’re humanity’s last hope doesn’t mean you can’t incorporate a little color in your wardrobe!”

I don’t want to seem like I hated everything in The Matrix: Revolutions. There were a couple of really good parts.

Trinity Died.

And then so did Neo.

There may be no spoon, but there just might be a God.

**Update, The Matrix Revolutions just achieved the highest grossing opening week of all time, surpassing former record holder Lord of the Rings: Two Towers. Okay, so there isn't a God. Keanu for Governor in 2024!

 

Abov e: Keanu Reeves prays to Satan.


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